"A New History of Japanese Cinema" by Isolde Standish provides a detailed and captivating examination of the development of Japanese cinema. Standish takes readers on a fascinating journey through different periods of Japanese film, analyzing significant films, influential directors, and the cultural and historical factors that shaped the industry.
The book begins by exploring the early years of Japanese cinema, spotlighting the groundbreaking works of filmmakers like Yasujiro Ozu and Kenji Mizoguchi. Standish adeptly immerses readers in the world of silent films, emphasizing their pivotal role in establishing the language of Japanese cinema.
Moving forward, Standish delves into the impact of the war period on Japanese cinema, illuminating how filmmakers adapted to the demands of the time and how cinematic techniques evolved amidst the backdrop of conflict. She offers a nuanced analysis of films produced during this period, shedding light on their significance and the complex themes they explored.
Available on Audible
Standish also examines the post-war years, tracing the emergence of new genres in Japanese cinema such as samurai films, avant-garde movements, and the New Wave era. She thoroughly investigates the social, political, and cultural contexts that influenced these developments, providing valuable insights into this transformative period of Japanese film history.
Moreover, Standish explores the reception and global influence of Japanese cinema. She discusses the international reception of Japanese films, their success at international film festivals, and their impact on Western cinema. This well-rounded perspective highlights the significance of Japanese cinema beyond its borders.
What are readers saying?
A New History of Japanese Cinema, authored by Isolde Standish, has been met with positive reception. The book offers a thorough and profound exploration of the history and evolution of Japanese cinema. Reviewers laud Standish's meticulous research and expertise in the subject matter. They appreciate her ability to provide a detailed narrative that traces the development of Japanese cinema from its inception to the present day. Readers find the extensive information presented in the book to be both comprehensive and diverse, encompassing various genres, directors, and significant historical events that have influenced Japanese cinema.
Standish's engaging writing style and her adeptness at conveying complex information in a clear and accessible manner are commended by reviewers. The author's passion for the topic shines through, making the book engaging for both cinephiles and newcomers to Japanese cinema. Additionally, readers appreciate Standish's talent for connecting Japanese film history with broader cultural and socio-political contexts, thus providing a well-rounded perspective.
The book's organization and structure are also praised by reviewers. Standish divides the content into different periods and themes, allowing for easy navigation and a clear understanding of the chronological progression of Japanese cinema. This approach enables readers to delve into specific eras or aspects of interest, while still maintaining a coherent narrative.
However, some reviewers mention that the book may not be suitable for those seeking a light, introductory read on Japanese cinema. They note that the level of detail and scholarly approach may be overwhelming for some readers. Additionally, a few critics argue that certain chapters could have delved deeper into analysis and interpretation, rather than focusing strictly on factual information.
Overall, A New History of Japanese Cinema is esteemed for its extensive research, accessible writing style, and comprehensive coverage of the subject. It comes highly recommended for anyone interested in exploring the rich and diverse world of Japanese cinema.
JapaneseCinemaHistory FilmStudy JapaneseFilmCulture