"Art in Theory 1648-1815" by Charles Harrison is an enlightening exploration of the major theoretical developments in the art world from the Baroque era to the Romantic era. It offers a comprehensive collection of writings and extracts from various artists, critics, and philosophers, providing readers with a deep understanding of the theoretical ideas that shaped the art world during this pivotal time.
The book is organized chronologically, allowing readers to follow the evolving ideas and concepts within art theory over a span of almost two centuries. It begins with the Baroque era, introducing influential figures like Gian Lorenzo Bernini and their ideas on the theatricality of sculpture. The book then progresses to include works from significant thinkers like Denis Diderot, who explored the value of art in society.
What sets this book apart is its inclusion of both well-known and lesser-known figures, ensuring a comprehensive view of art theory during this period. Harrison also offers insightful analysis and commentary on each extract, providing readers with context and allowing for a nuanced exploration of the development of artistic theories and ideas throughout the book.
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"Art in Theory 1648-1815" covers a diverse range of topics and themes within art theory. From discussions on the nature of artistic expression to critiques of the art market and the social function of art, Harrison examines a broad spectrum of ideas, offering readers a thought-provoking reading experience.
In summary, Charles Harrison's "Art in Theory 1648-1815" is an invaluable resource for anyone interested in exploring the theoretical foundations of art from the Baroque to the Romantic era. Its comprehensive approach, diverse selection of writings, and insightful analysis make it a must-read for students, scholars, and art history enthusiasts alike.
What are readers saying?
"Art in Theory 1648-1815" by Charles Harrison is a comprehensive collection of primary source texts that provides a deep exploration of the theoretical foundations of art from the 17th and 18th centuries. The book has received mostly positive reviews, with readers praising its scholarly approach and wealth of information.
Reviewers appreciate the extensive collection of texts, which cover a wide range of topics related to art theory during this period. They find the selection to be comprehensive and well-curated, making it a valuable resource for students, scholars, and art enthusiasts.
Harrison's introductions and annotations accompanying each text are highly regarded for their insights and clarity. Readers find them helpful in providing context and understanding, particularly with the complex content.
The organization and structure of the book receive praise as well, with the chronological arrangement allowing for a better understanding of the development and evolution of art theory over time. Reviewers also appreciate the inclusion of lesser-known texts, offering a more inclusive and nuanced view of the period.
Another aspect that reviewers commend is the book's global perspective. By including both well-known European sources and texts from non-European cultures, it offers a more enriching and diverse understanding of art theory beyond Western-centric viewpoints.
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