"Art in Theory 1815-1900" by Charles Harrison is an exceptional compilation of writings that effectively trace the progression of art theory and criticism throughout the 19th century. Divided into three parts, the book explores a wide array of artistic movements, including Romanticism, Realism, Impressionism, and Symbolism, presenting an extensive range of perspectives from renowned artists, critics, and philosophers of the time.
The first part of the book delves into the Romantic period, delving into the ideas presented by Friedrich Schelling, Samuel Taylor Coleridge, and the German Romantics, among others. Harrison skillfully synthesizes their writings, offering valuable insights into the role of the artist in society, the relationship between art and nature, and the immense power of imagination.
As we move into the second part of the book, we delve into the rise of Realism and Impressionism. This section includes pivotal texts by influential figures such as Gustave Courbet, Edouard Manet, and Edgar Degas. Through their writings, readers gain a deeper understanding of the artists' perspectives on aesthetics, techniques, and the portrayal of everyday life, as well as their rejection of conventional academic norms.
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The final part of the book explores Symbolism and the birth of modern art. The writings of artists such as Paul Gauguin, Wassily Kandinsky, and Paul Cézanne shed light on their groundbreaking ideas of abstract art, spirituality, and the liberation of artistic expression. Harrison's careful curation allows readers to explore the intellectual currents that shaped the artistic landscape during this transformative period.
In summary, "Art in Theory 1815-1900" is an invaluable resource for art historians, students, and anyone interested in studying the development of art theory and aesthetics during the 19th century. Charles Harrison's meticulous selection and insightful commentary make this book a must-read, offering an engrossing narrative that illuminates the diverse perspectives and debates that influenced art and its interpretation during that time.
What are readers saying?
"Art in Theory 1815-1900" by Charles Harrison is a comprehensive compilation of writings that delves into the theories and concepts that impacted the growth of art during the 19th century. Readers had a mixed response to the book, with some praising its extensive content and profound analysis, while others found it dense and challenging to grasp.
Many readers appreciated the book's vast collection of texts, which encompassed writings from a diverse range of influential figures in the art world including artists, critics, and philosophers. These texts provide valuable insights into the development of artistic movements and the perspectives of the artists themselves. The book's organization, grouping texts according to themes, was also commended for its ease of navigation and ability to reference specific topics.
The book's detailed analysis and contextualization of the writings were highlighted as significant strengths by readers. Charles Harrison's explanations and commentary assisted readers in comprehending the complex ideas presented in the texts. This aspect of the book was particularly valued by those studying art or possessing a deep interest in art history.
However, some readers found the book overwhelming due to its sheer volume and complexity. They felt that the academic language used made it hard to understand for those without prior knowledge of art theory. Some also noted a lack of a clear narrative, making it challenging to follow the progression of ideas.
Despite its challenges, many readers found "Art in Theory 1815-1900" to be an invaluable resource for studying the history of art and the evolution of artistic ideas in the 19th century. It offers an extensive collection of writings and insightful analysis that can enhance one's understanding of this crucial period in art history. However, readers should be prepared for an academic and scholarly reading experience.
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