Close Up: Iranian Cinema, Past, Present and Future : Book Review

"Close Up: Iranian Cinema, Past, Present, and Future" by Hamid Dabashi is a captivating exploration of the rich and diverse world of Iranian cinema. Dabashi takes readers on a comprehensive journey through its history, social context, and political challenges, shedding light on the unique artistic voices and perspectives represented within this dynamic industry.

The author skillfully delves into various topics within Iranian cinema, ranging from the revolutionary films of the 1970s to the struggles faced by filmmakers under the Islamic Republic regime. Dabashi expertly analyzes the evolution of Iranian cinema, tracing its origins back to visionary pioneers like Abbas Kiarostami and Mohsen Makhmalbaf. By providing historical context and insightful commentary, readers gain a deep understanding of the cultural forces that have influenced Iranian films.

One of the strengths of "Close Up" is its exploration of the diverse themes and genres found in Iranian cinema. Dabashi discusses the impact of war and exile, as well as the recurring motifs of identity, gender, and spirituality. He also highlights the significant contributions made by female directors in challenging societal norms and telling their stories through an authentically Iranian lens.

Dabashi's writing style is engaging and accessible, making "Close Up" a valuable resource for both scholars and general readers interested in Iranian cinema. His passion for the subject matter shines through as he expertly weaves together historical facts, personal anecdotes, and critical analysis. This multifaceted approach enhances the reading experience, offering a comprehensive exploration of the vibrant tapestry of Iranian filmmaking.

In conclusion, "Close Up" by Hamid Dabashi is a captivating and insightful exploration of Iranian cinema, past, present, and future. With its in-depth analysis and engaging writing style, the book provides a valuable understanding of the cultural, social, and political influences that have shaped this dynamic industry. Whether approached as a film enthusiast or a scholar, readers will find Dabashi's work to be thought-provoking, informative, and thoroughly enjoyable.

What are readers saying?

The book "Close Up" by Hamid Dabashi has garnered a range of reviews from readers, showcasing both positive and negative opinions. While some reviewers praised the book for its perceptive analysis and thought-provoking ideas, others found it excessively academic and challenging to comprehend.

Numerous readers commended the depth of analysis in "Close Up," appreciating the author's ability to delve into intricate subjects. They found the book to be a valuable resource for understanding diverse aspects of cinema, culture, and history. Reviewers highlighted Dabashi's extensive knowledge and the way he seamlessly combined theory with examples from various film traditions. His ability to engage readers and stimulate critical thinking was highly acclaimed.

Conversely, some readers deemed the book too academic and dense for their liking. They perceived the writing style as overly intricate and filled with jargon, making it arduous to fully grasp the concepts presented. These readers suggested a more accessible approach would have enhanced their engagement with the material.

Despite the mixed reviews, many readers found "Close Up" to be a valuable resource for film enthusiasts and scholars alike. They appreciated the numerous references to films from different countries and Dabashi's ability to connect them to broader social and cultural issues. Reviewers noted that the book provided them with new perspectives and expanded their understanding of the relationship between cinema and society.

However, some readers expressed dissatisfaction with the organization of the book, perceiving it as disjointed and lacking a clear structure. They felt that the content shifted abruptly from one topic to another without a coherent progression, making it challenging to follow the author's arguments. These readers desired a more logical and cohesive framework within the book.

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