Diderot on Art, Volume I: The Salon of 1765 and Notes on Painting : Book Review

Denis Diderot on Art: Volume I offers a captivating and insightful exploration of the renowned French philosopher's thoughts on various aspects of art. Edited and translated by John Goodman, this book provides readers with a comprehensive understanding of Diderot's aesthetic theories and his views on painting, sculpture, and architecture.

One of the outstanding characteristics of this book is Diderot's seamless blending of philosophy and art criticism. He goes deep into the essence of artistic representation, delving into the significance of imitation, expression, and beauty. Diderot's analyses are thought-provoking and present unique perspectives on what defines great art.

Additionally, Diderot's writing style is engaging and accessible, making this book a pleasure to read. Despite being written in the 18th century, his ideas remain relevant and continue to inspire contemporary thinkers and artists. Goodman's translation is exceptional, capturing the nuances of Diderot's prose and allowing readers to fully appreciate his genius.

Beyond profound reflections on art, Diderot also demonstrates his vast knowledge of various artistic techniques and styles. He offers detailed observations on the works of renowned artists such as Raphael, Michelangelo, and Rembrandt, providing valuable insights into their creative processes and the impact of their art.

Overall, Denis Diderot on Art: Volume I is an essential read for anyone interested in art theory and aesthetics. Diderot's intelligent analyses and eloquent writing make this book a timeless masterpiece. Whether one is a philosopher, artist, or simply an art enthusiast, this collection will undoubtedly enrich their understanding and appreciation of the artistic world.

What are readers saying?

"Diderot on Art: Volume I" by Denis Diderot has garnered a range of opinions from readers. Some praised the book for its insightful commentary, delving into various aspects of art, while others criticized its dry and dense writing style. Overall, it seems to appeal more to readers with a deep interest in art and philosophy.

Several readers found value in Diderot's unique perspective on art. They appreciated his commentary, which explored techniques, aesthetics, and the role of the artist in society. These readers found the book enlightening and thought-provoking, gaining a deeper understanding of the art world and its significance.

However, some struggled with the book's writing style, finding it dry and complex. They had difficulty engaging with the text, as Diderot presented his ideas in a dense and academic manner. These readers felt that prior knowledge in art history and philosophy was necessary to fully grasp the concepts.

Additionally, a few readers found the translation of the book problematic. They believed that it didn't capture Diderot's original ideas fully, resulting in a loss of nuance. Consequently, these readers felt somewhat disconnected from the author's intentions and had difficulty appreciating the book's content.

One recurring observation among reviewers was the book's length. Some felt that it could have been condensed to make it more accessible and engaging. They found certain sections excessively detailed, which could be overwhelming for readers seeking a more concise exploration of the subject matter.

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