"Ear Training Volume III" by Elvo S. D'Amante is a highly beneficial resource for musicians and music students who want to enhance their auditory skills. This comprehensive guide offers a step-by-step approach to ear training, focusing on the recognition and differentiation of musical elements like intervals, chords, scales, and more.
The book starts with an introduction that emphasizes the significance of ear training in a musician's overall development. D'Amante explains the advantages of cultivating a strong ear, such as improved pitch accuracy, better understanding of melody and harmony, and enhanced improvisational abilities. This serves as a solid foundation for the subsequent chapters, which are designed to progressively build upon these skills.
One notable aspect of "Ear Training Volume III" is its diverse range of exercises and examples. D'Amante includes a variety of musical styles and genres to expose readers to different musical contexts. By doing so, the book not only keeps the learning process engaging but also helps readers develop a well-rounded ear that can adapt to various musical situations.
Available on Audible
Additionally, the book offers numerous listening exercises, encouraging active participation and practical application of the concepts taught. D'Amante's clear instructions and explanations make these exercises accessible for beginners and more advanced learners alike, allowing for a challenging yet manageable progression.
In conclusion, "Ear Training Volume III" is an invaluable resource for musicians and music students at any level. D'Amante's thoughtful approach, thorough content, and practical exercises make this book an effective tool for developing essential auditory skills. Whether one desires to improve their ability to recognize harmonies, melodies, or rhythms, this book provides a structured and engaging path to attaining a well-trained musical ear.
What are readers saying?
Ear Training Volume III by Elvo S. D'Amante has received a range of reviews from readers, with a mixture of positive and negative feedback. The book aims to help individuals develop their ear for music and has been praised by some for its comprehensive approach and practical exercises. However, it has also faced criticism for its lack of clarity and organization.
Many readers appreciate the comprehensive nature of Ear Training Volume III and find it to be a valuable resource for musicians. They praise its coverage of various topics related to ear training, such as intervals, scales, and chord progressions. The exercises provided are viewed as effective in improving one's ability to hear and recognize different musical elements.
Despite the positive aspects, there are reviewers who express frustration with the organization and structure of the book. They feel that the flow of information is unclear and disjointed, making it difficult to follow and understand the concepts being presented. Some readers believe that a more systematic and clear approach would have been beneficial and that the book assumes prior knowledge or jumps too quickly between topics.
Another point of contention among readers is the absence of accompanying audio material. While the book offers written exercises, some reviewers feel that auditory examples would greatly enhance the learning experience and make it easier to apply the concepts being taught.
However, many readers still find value in Ear Training Volume III and appreciate the author's expertise and dedication to the subject matter. They believe that with some additional guidance and clarification, the book can serve as a valuable tool in improving their ear for music.
EarTrainingVolumeIII MusicEducation MusicSkills