Music in American Religious Experience : Book Review

"Music in American Religious Experience" authored by Philip V. Bohlman gives a comprehensive insight into the intricate relationship between music and religion in the United States. By examining a wide range of sources including spirituals, hymns, folk music, and sacred chants, Bohlman explores the diverse ways in which music has shaped religious experiences across America.

The book begins its exploration by delving into the historical foundations of music in American religious practices. It traces the influence of European colonization and the introduction of African musical traditions through the slave trade. Bohlman emphasizes the significance of these musical forms and investigates how they have been adapted and reinterpreted within various religious contexts.

One notable aspect of this book is its interdisciplinary approach. Drawing from ethnomusicology, theology, sociology, and historical research, Bohlman presents a multi-layered analysis of American religious music. He not only examines the musical elements but also analyzes their social and cultural implications within specific religious communities.

Furthermore, "Music in American Religious Experience" stands out for its attention to the diversity of religious experiences in the United States. Bohlman acknowledges that American religious practices encompass a wide range of traditions including Christianity, Judaism, Islam, and Native American spirituality, among others. This inclusive approach ensures a comprehensive understanding of the impact of music on American religious life.

In conclusion, "Music in American Religious Experience" is an insightful and extensively researched book that sheds light on the profound role of music in shaping religious experiences in the United States. Bohlman's interdisciplinary approach and inclusive examination of diverse religious traditions make this book a valuable resource for scholars, music enthusiasts, and anyone interested in exploring the intricate relationship between music and religion in America.

What are readers saying?

The book "Music in American Religious Experience" by Philip V. Bohlman has garnered a variety of reviews from readers, with opinions being mixed. Bohlman's thorough examination of the role of music in diverse religious traditions throughout American history drew praise from some reviewers, who admired his comprehensive research and found the book to be informative and thought-provoking. Many readers commended the author's ability to draw connections between music and spirituality, shedding light on how it has shaped and influenced religious experiences in America.

However, there were also several criticisms of the book. Some readers felt that Bohlman's writing style was dry and academic, hindering their ability to fully engage with the material. The book was deemed heavily theoretical and lacking in practical examples or personal anecdotes, which made it less accessible for a wider audience.

Furthermore, reviewers commonly noted that Bohlman's focus on classical music and renowned musicians eclipsed other forms and genres of religious music. This omission of diversity in the examples provided was seen as a limitation, restricting the book's relevancy to a broader audience.

Another critique centered on the lack of clear organization or structure within the book. Several reviewers found it challenging to follow the author's arguments and ideas, indicating that the book would have greatly benefited from improved editing for better coherence and flow.

Despite these criticisms, many readers still found value in "Music in American Religious Experience." They recognized and appreciated Bohlman's extensive knowledge and research on the subject, even if they did not fully agree with all of his interpretations. In summary, the book provides a detailed exploration of the intersection of music and religion in America. However, its scholarly tone, lack of diversity, and organizational issues may limit its appeal to a wider audience.

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