On Late Style: Music and Literature Against the Grain : Book Review

Edward W. Said's book, "On Late Style," is a captivating exploration of the concept of late style in art, focusing on literature and music. Said argues that late style is a distinct and often contradictory phenomenon that emerges in an artist's final phase of creation. Throughout the book, he examines the works of notable composers, writers, and artists, such as Beethoven, Wagner, Jean Genet, and Thomas Mann, shedding light on the unique characteristics that manifest in their later works.

The book begins by delving into the notion of lateness and its manifestation across different art forms. Said suggests that artists in their later years often adopt a more abstract, fragmented, and introspective style, diverging from their earlier works. They frequently challenge established norms and take risks, pushing the boundaries of artistic expression.

Said extensively analyzes the late styles of various artists, expounding on their individual approaches and underlying themes. For instance, he explores how Beethoven's late quartets defy traditional structures and conventions, offering a deeply introspective and emotionally charged experience. Similarly, he examines the rebellious and experimental qualities found in the works of Genet and Mann, illustrating how late style manifests uniquely in each artist.

Additionally, Said delves into the philosophical and cultural implications of late style, suggesting that it reflects an artist's engagement with mortality and existential concerns. He poses thought-provoking questions about whether late style signifies a sense of loss or resignation, or if it represents a renaissance and renewed vitality in artistic expression.

"On Late Style" is a rich and thought-provoking book, providing readers with a profound understanding of the dynamics of artistic creation in the later years of an artist's life. Said's meticulous analysis and eloquent writing style make it an engaging read, encouraging readers to contemplate the evolving nature of art and the profound impact of age and experience on an artist's work.

What are readers saying?

Edward W. Said's book "On Late Style" has garnered a range of responses from readers. Some reviewers commend Said's examination of artists and their work in the later stages of their careers, finding it insightful and thought-provoking. They appreciate his exploration of how artists such as Beethoven, Ibsen, and Celan adapt their style as they age and the impact it has on their work. These reviewers view Said's analysis as a valuable contribution to understanding artistic development.

However, not all readers share this enthusiasm. Some express their disappointment with the book, finding Said's writing style overly dense and academic, which makes it difficult to fully engage with the content. They suggest that the book may be more suitable for scholars or individuals already familiar with the subject matter.

Several reviewers highlight the book's emphasis on the connection between late style and mortality. They find Said's exploration of how artists grapple with their own mortality in their later works to be both informative and thought-provoking. Said's analysis of how this struggle often results in a distinct and profound artistic style resonates with these readers.

On the other hand, some readers criticize the lack of clarity in Said's arguments. They feel that the author jumps from one artist to another without providing a clear overarching thesis or structure. This lack of coherence makes it challenging for readers to fully grasp the main points of the book.

Overall, opinions on "On Late Style" by Edward W. Said are divided. While some readers appreciate his analysis of artists and their late style, others find the book challenging to read due to its dense writing style and lack of clarity in its arguments. The book's exploration of the connection between late style and mortality resonates with some, while others feel that the lack of a clear overarching thesis weakens the book's impact.

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