The End of Obscenity: The Trials of Lady Chatterley, Tropic of Cancer, and Fanny Hill : Book Review

"The End of Obscenity" by Charles Rembar is a captivating exploration of the historical and legal battles surrounding obscenity in literature. As an attorney specializing in First Amendment cases, Rembar provides a comprehensive analysis of landmark obscenity trials and the societal attitudes and legal frameworks that influenced discussions on what is considered obscene.

Rembar begins by tracing the origins of obscenity laws back to ancient civilizations, shedding light on the oppressive suppression of sexual expression throughout history. He then delves into well-known obscenity trials, highlighting cases involving renowned authors like Henry Miller and D.H. Lawrence.

Throughout the book, Rembar challenges conventional understandings of obscenity and advocates for a more nuanced view of free speech. He closely examines the influential case of "Lady Chatterley's Lover" by D.H. Lawrence and illustrates how it marked a turning point in the legal landscape, leading to a greater degree of freedom of expression.

In addition to the legal aspects, Rembar explores the cultural and social implications of obscenity. He delves into the impact of obscenity laws on the publishing industry, the rise of self-censorship, and the role of moral panic in shaping public perception.

Overall, "The End of Obscenity" offers a thought-provoking and meticulous examination of the intricate relationship between literature, censorship, and free speech. Rembar's deep expertise as a First Amendment attorney shines through, making this book indispensable for those interested in the history and legal dimensions of obscenity in literature.

What are readers saying?

The book "The End of Obscenity" written by Charles Rembar has garnered mixed reviews from its readers. Opinion regarding the book's exploration of obscenity laws and their historical impact on freedom of expression varies among readers. While some appreciate the in-depth analysis provided by Rembar, others criticize the dense and academic writing style employed.

Numerous reviewers commend Rembar for his thorough examination of the legal battles surrounding obscenity in the United States. They value how he illuminates the historical context and evolution of such laws, shedding light on the challenges and controversies faced by artists throughout history. Readers find this aspect of the book informative and thought-provoking.

However, some critics of the book argue that its dense writing style and academic tone make it less accessible to the average reader. They believe it may be more suited for those with a background in law or a strong interest in the subject matter. These readers found the extensive footnotes and complex legal jargon to be obstacles when attempting to engage with the material.

In addition, a few reviewers note that "The End of Obscenity" was written in the 1960s and may not be as relevant today. They argue that societal attitudes toward obscenity have shifted, and suggest that a more updated edition or an analysis of contemporary issues would enhance the book's value.

Despite the mixed opinions, many readers acknowledge the book's importance in discussing the topic of obscenity and its impact on freedom of expression. They appreciate Rembar's efforts to shed light on an often-neglected aspect of law and recommend the book to those with a specific interest in the subject matter.

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