"The English Musical Renaissance and the Press: 1850-1914" by Meirion Hughes is a thoroughly researched and comprehensive analysis of the relationship between the English musical renaissance and the press during the period from 1850 to 1914. Hughes delves into the pivotal role played by the press in shaping and promoting the English musical scene during this transformative era.
One of the book's major strengths lies in Hughes' meticulous examination of a wide range of sources, including newspapers, magazines, and journals, allowing him to trace the growth and evolution of the English musical renaissance. Through this extensive research, he brings to light the key figures, composers, and movements that emerged during this significant period.
One standout aspect of Hughes' work is his focus on the press as a driving force behind the English musical renaissance. He emphasizes the profound influence of critics, reviewers, and journalists in molding and influencing public opinion on music. Moreover, Hughes delves into how changes in the press landscape, such as the emergence of music-specific magazines, had a profound impact on the development of the English musical scene.
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Furthermore, Hughes' book stands out for its inclusion of lesser-known composers and movements that have often been overlooked in previous studies. By shedding light on these overlooked figures, Hughes provides a more comprehensive understanding of the English musical renaissance and its wider societal impact.
"The English Musical Renaissance and the Press: 1850-1914" is an invaluable resource for scholars, researchers, and music enthusiasts interested in the history of music in England. Hughes' meticulous research, attention to detail, and thorough analysis make this book an essential contribution to our understanding of the English musical renaissance and the pivotal role played by the press during this era of musical transformation.
What are readers saying?
"The English Musical Renaissance and the Press, 1850-1914" by Meirion Hughes is a highly acclaimed book that delves into the relationship between the English musical scene and the press during the late 19th and early 20th centuries. Readers have praised Hughes' extensive research, in-depth analysis, and engaging writing style.
Reviewers consistently highlight Hughes' meticulous research as a standout aspect of the book. They appreciate his thorough examination of primary sources, such as newspapers, journals, and correspondence, which allows him to uncover the intricate connections between the English musical renaissance and the press. Hughes' dedication to unearthing lesser-known facts and shedding light on forgotten composers and performers of the era is also highly regarded.
The book's thorough analysis is another aspect consistently praised by reviewers. Hughes explores various facets of the English musical renaissance, including the influence of European trends, the rise of nationalism in music, and the role of music societies. His insightful analysis provides readers with a deeper understanding of this significant period in English musical history.
Reviewers also commend Hughes' engaging writing style. They find the book accessible and informative, making it suitable for both scholars and general readers interested in music history. Many appreciate Hughes' ability to convey complex ideas in a clear and engaging manner, allowing readers to fully grasp the intricate connection between the English musical scene and the press during this time period.
Overall, "The English Musical Renaissance and the Press, 1850-1914" by Meirion Hughes receives favorable reviews for its exhaustive research, comprehensive analysis, and engaging writing style. This book is highly recommended for those eager to explore the intricate relationship between the English musical scene and the press from the late 19th to early 20th centuries.
EnglishMusicalRenaissance Press1850to1914 MusicalHistory