The Oxford History of World Cinema : Book Review

"The Oxford History of World Cinema" by Geoffrey Nowell-Smith is a comprehensive and in-depth exploration of the evolution of cinema from its early beginnings to the present day. With a broad range of coverage, the book examines the development of cinema in different countries and regions, providing a diverse perspective on the art form.

The book begins by delving into the technological advancements that shaped the early days of cinema, highlighting the contributions of influential figures like Lumière and Méliès. From there, it moves on to examine the growth of cinema in Hollywood, Europe, and Asia, offering detailed analysis of key films, movements, and directors that have left their mark on the industry.

What sets this book apart is its focus on the social and cultural context in which films were produced. Nowell-Smith emphasizes the significance of cinema in shaping and reflecting society, considering the impact of technology, politics, and cultural movements on the evolution of the art form.

One notable strength of the book is its inclusion of both mainstream cinema and lesser-known films, experimental works, and avant-garde movements. This comprehensive approach provides readers with a well-rounded understanding of the global cinematic landscape.

Overall, "The Oxford History of World Cinema" is an informative and insightful book that is essential for film enthusiasts, scholars, and students. Whether you have a casual interest in cinema or a deep passion for it, this book offers a thorough exploration that will enrich your understanding of the art form.

What are readers saying?

The Oxford History of World Cinema by Geoffrey Nowell-Smith has garnered a variety of responses from readers. With over 1,100 reviews, the book has an average rating of 3.87 out of 5 stars. While some readers praise its comprehensive nature and thorough overview of cinema history, others have criticized its heavy focus on European and American cinema and its lack of coverage on non-Western films.

Those who appreciate the book commend its wide-ranging topics, including the development of different film industries, influential directors and films, and the societal impact of cinema. They find it to be a valuable resource for film enthusiasts and scholars alike. However, other readers express disappointment in its Eurocentric perspective and believe that the title of the book implies a more global outlook on cinema history. They desire more extensive coverage of non-Western regions and films, feeling that the lack of depth and analysis in this area diminishes its value.

Some readers find the book challenging to read, attributing its dense and academic writing style as a barrier for non-experts. This makes it difficult for them to engage with the content. Some readers also note that the book seems outdated in certain sections, lacking coverage of recent developments in the film industry.

On the positive side, some readers appreciate the visual aids in the form of illustrations and photographs, as they provide additional context to the historical information. Others praise the detailed bibliographies and filmographies, which allow for further exploration of specific topics.

In conclusion, The Oxford History of World Cinema by Geoffrey Nowell-Smith offers a comprehensive overview of cinema history, but its reception among readers is mixed. While it provides depth and extensive coverage, it has been criticized for its Eurocentric focus and academic style. Readers seeking a broad understanding of cinema history may find value in this book, but it may not meet the needs of those looking for in-depth analysis of non-Western film industries.

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