Vulgar Modernism: Writing On Movies And Other Media : Book Review

In his book "Vulgar Modernism," author J. Hoberman delves into the fascinating relationship between avant-garde art and popular culture during the 1960s and 1970s. With insightful analysis and thought-provoking examples, Hoberman explores how artists and filmmakers of that time merged high and low art forms to create a new artistic movement that challenged traditional boundaries.

Throughout the book, Hoberman presents compelling arguments and examines the works of influential artists from various fields. Andy Warhol, Jean-Luc Godard, and Richard Brautigan are just a few of the artists whose innovative approaches and incorporation of elements from mass culture are explored. By showcasing their contributions, Hoberman effectively demonstrates how these artists reshaped the notion of modernism.

One of the key strengths of "Vulgar Modernism" is Hoberman's ability to contextualize the cultural and political climate of the time and its impact on the art world. He delves into the countercultural movements and societal changes that greatly influenced these artists and their works. This comprehensive understanding adds depth and richness to the book's exploration of vulgar modernism.

Hoberman's engaging writing style and extensive research are also noteworthy aspects of the book. He combines academic analysis with accessible language, making the book highly readable and appealing to a wide audience. His meticulous research is evident in his references to a wide range of sources and his deep knowledge of the artists and their works.

Overall, "Vulgar Modernism" is a captivating and enlightening read for anyone interested in the intersections between avant-garde art and popular culture. Hoberman's sharp analysis and well-supported arguments make a compelling case for the significance of vulgar modernism in redefining the concept of modern art. It is a valuable resource for scholars, art enthusiasts, and anyone seeking a deeper understanding of the artistic movements of the 1960s and 1970s.

What are readers saying?

The book "Vulgar Modernism" by J. Hoberman has received a mixed reception from readers. Some praise the author's insightful analysis of modern art and cinema, as well as his ability to connect different cultural and artistic movements. They find Hoberman's exploration of the relationship between art and politics to be enlightening and thought-provoking.

However, there are also those who struggle with the writing style of "Vulgar Modernism". They find the language to be overly academic and dense, making it difficult to fully understand the concepts being discussed. Some readers express a desire for a more accessible approach, as they often feel lost in jargon and complex theories.

Reviewers also raise a point about the absence of visual aids in the book. Many believe that including images or illustrations would have significantly enhanced the reading experience and improved comprehension of the discussed concepts.

Despite these criticisms, some readers do find value in "Vulgar Modernism". They see it as a valuable resource and an excellent introduction to the world of modern art and cinema. They appreciate Hoberman's exploration of vulgarity and modernism, as well as the thoroughness of his research.

In summary, "Vulgar Modernism" by J. Hoberman offers an in-depth analysis of modern art and cinema. While some find the author's insights and extensive knowledge commendable, others struggle with the overly academic writing style. The absence of visual aids also proves to be a point of contention for certain readers. Despite its flaws, the book can still serve as a valuable resource for those interested in exploring the relationship between art and politics.

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