"What to Listen for in Music" by Aaron Copland is an exceptional guide that caters to both casual listeners and aspiring musicians. As a highly acclaimed composer, Copland expertly dissects various elements of music in a manner that is easy to grasp and captivating, ultimately fostering a deeper understanding and admiration for the art form.
The book delves into a range of topics, starting with the fundamental aspects of rhythm and melody, and gradually progressing to more intricate concepts such as orchestration and form. Copland's writing style is incredibly lucid and succinct, allowing readers to effortlessly follow his explanations. Moreover, he supplements his writing with an array of examples and musical excerpts, enabling readers to not only read about the discussed elements but also actively hear them in action.
A notable highlight of "What to Listen for in Music" is Copland's emphasis on active listening. He encourages readers to engage in deliberate and attentive listening, urging them to pay heed to details and nuances that may have previously escaped their notice. According to Copland, this approach heightens the enjoyment of music and fosters a more discerning ear.
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Another strength of the book lies in Copland's ability to blend technical aspects of music with its emotional and expressive qualities. He illuminates how composers employ techniques like dynamics, phrasing, and texture to effectively convey varying moods and evoke specific emotions in their compositions. This integration of the technical and artistic aspects adds depth and richness to the reading experience, affording readers the opportunity to appreciate music on a profound level.
All in all, "What to Listen for in Music" is an indispensable read for anyone interested in music. Whether you possess an intense passion for music or are an aspiring musician, Copland's book will open your ears to a realm of enhanced understanding and appreciation. It serves as an invaluable resource that will undoubtedly enrich your listening experience and cultivate a more profound connection with music.
What are readers saying?
Aaron Copland's book "What to Listen for in Music" has garnered a range of opinions from readers. While some commend Copland for his adeptness at simplifying intricate musical concepts, others find fault with his dry and technical writing style. Copland's clear explanations of music theory and composition have been praised by many, as they enable readers to better grasp and appreciate the music they listen to. Some reviewers assert that the book is beneficial for both novices and more seasoned listeners, as it offers a solid foundation of musical knowledge while delving into nuanced subjects.
However, detractors argue that Copland's lack of personal touch and failure to capture the emotional and exhilarating aspects of music make it difficult to stay engaged with the material. These critics suggest that the book may be better suited for individuals with a strong interest in music theory and composition rather than casual listeners seeking a deeper understanding of music.
One recurring critique of "What to Listen for in Music" is its heavy emphasis on classical music, with scant attention given to other genres. Some readers express disappointment that Copland does not provide the same level of analysis and guidance for popular, jazz, or contemporary music. They argue that a more inclusive approach would have made the book more relevant and accessible to a wider range of music enthusiasts.
A few reviewers note that the book feels somewhat outdated, as it was originally published in 1939 and revised in 1957. They contend that some of Copland's references and examples may not resonate with modern readers, hindering their ability to connect fully with the material. Nevertheless, others appreciate the historical context imbued by the older references, seeing them as valuable for comprehending the evolution of music.
Overall, "What to Listen for in Music" by Aaron Copland appeals to readers interested in comprehending the technical aspects of classical music and desiring to deepen their understanding of music theory. Although some find Copland's writing style dry and desire a broader examination of genres, many appreciate his capacity to explicate complex concepts in an accessible manner.
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